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HDR Workflow For The Rest Of Us
by Vegard Brenna
Introduction
Alexandre Buisse in A Plea for HDR
said it all. He speaks for me. One of my favourite photographic
subjects is church interiors (no castles in this part of the world), and
HDR is indispensable. But I don’t want my pictures to look like HDR.
And I also want HDR to be just another part of my toolbox. Does anyone
remember as far back as 2003? That was when we corrected exposure using
multiple layers and blending modes in Photoshop, and when we created
“fill flash” using clever masks. Now with Lightroom there are simple
sliders for them all and more. I think of HDR as an extreme version of
Lightroom’s Fill Light and Recovery combined, just a method to get back
what I saw and I know was there. Until the “HDR slider” arrives I would
like to have something similar and simple.
The tutorial is divided into two parts.
In the first part I will look at the problem of consistent colours in
Photomatix Pro, and how it can be solved. The solution applies to any
HDR program that creates unnatural but consistent colours. In the second
part I will present a workflow “for the rest of us”, where I use what I
found in the first part to effortlessly create a consistent suite of
HDR images from one shoot – the HDR slider.
MUCH MORE IN THE FULL ARTICLE:
The secret to good photography? - Be at the right place - at the right time - with the right gear - and possess the skill to take advantage of the situation.
There is a fine line between a hobby and mental illness.